The Transformation of the God-Image
Paul Levy
Just as we can interpret our dreams symbolically and we can interpret our life as a dream, we can contemplate the history of the world as we would a dream being dreamed by the deeper, dreaming Self that we all share. When we view the unfoldment of the cosmos in this way, one of the things that comes into focus is how the Self, or God-image, which is a living symbol and doorway into the wholeness of our true nature, is continually differentiating and expressing itself in both inner and outer events. Seen symbolically, outer phenomena such as the enlightenment of the Buddha and the life of Christ are seen to be reflections of a mystical process of awakening that is occurring in the depths of consciousness itself, a process which has to do with the birth and the revelation of the true Self in all of us. To quote Jung, "The real history of the world seems to be the progressive incarnation of the deity."
The Self is continually revealing its mystery in symbolic code hidden in plain sight, woven into the fabric of our waking dream, i.e., life, whether these self-secret clues be found in experiences such as the cosmic passion play of Christ, in synchronicities, dreams and visions, in the ordinary events of our daily lives, or in the patterns of global events. The underlying, archetypal motifs which repeat themselves in endless variations as the dramas of history are themselves living, embodied revelations of the ever-evolving God-image. To quote Jung, “…the imago Dei [the God-image] pervades the whole human sphere and makes mankind its involuntary exponent.”
As if speaking a rarified and refined form of symbolic language, the Self paradoxically reveals itself in its own veiling of itself, adumbrating itself in a variety of images which all hide as well as indicate its true nature. If the inner resonance of the God-image is attuned to and awakened inside ourselves, these living images of God reveal themselves to be hyper-dimensional portals into and living symbolic expressions of a more expansive consciousness that is always available to us.
A living symbol that points beyond itself, the God-image is not a concoction of the conceptual mind. To quote Jung, “The God-image is the expression of an underlying experience of something which I cannot attain to by intellectual means.” The God-image is an autonomous phenomenon that is not invented by the intellect, but rather, experienced. Based on a pre-existing, archetypal pattern, the God-image’s existence precedes our cognition of it. Having no hand in its creation, the intellect can only try and come to terms with and assimilate the God-image into its conception of the world. The God-image is a self-produced image spontaneously blossoming from the psyche as a whole that simultaneously reflects and effects what is going on within the very psyche which produced it. The God-image is not a static entity but a living, dynamically evolving process, which is the core archetype, the supreme symbol of the collective unconscious. The God-image is the collective unconscious’ projection of itself, representing the Self as well as the individuation process (the process of realizing our wholeness). Our God-image expresses our conception of and relation to God, while at the same time being the very image through which God is revealing Itself to us. To quote Jung, “As it is a natural process, it cannot be decided whether the God-image is created or whether it creates itself.” Do we create our God-image? Or does our image of God create us?
Seen as a dream, the Christ event was an inner, archetypal process that was occurring deep within the collective unconscious of humanity that literally got dreamed into materialization as its own self-revelation (see my article “Christ Would not Vote for Bush”). Seen as a dreaming process that is playing out in the collective psyche of our species, it makes no difference whether the Christ event actually historically happened or not. The Christ-image is a genuine symbol that has arisen in and out of the human psyche which speaks to, is an expression of, and transforms the imagination itself.
When the Christ event is viewed as a dream of the deeper, dreaming Self and interpreted symbolically like a dream, it reflects the incredible polarization and deep inner split existing in the collective unconscious of humanity. This tension of the opposites symbolically played itself out on the world stage in the adversarial figures of Christ and Satan. Christ’s utterly sublime and spotless nature evoked a blacker darkness on the seemingly contrary other side to oppose it, as if the two interconnected opposites reciprocally yet mutually co-arose together. Seen symbolically, Satan, to quote Jung, “represents the counterpole of that tremendous tension in the world psyche which Christ’s advent signified,” and he was related to Christ “…as inseparably as the shadow belongs to the light.”
Christ in himself represents a completely perfect emanation of the Self in its radiant light aspect, lacking nothing, being an open doorway into and mirror of our divine and primordially pure nature. Seen symbolically, however, the figure of Christ is too one-sided a symbol of the multi-faceted archetype of the Self. Christ himself is too overly light and identified with the good, and as the Gnostics realized, he “cast off his shadow from himself,” which Satan is carrying. Because he is the full-blown Incarnation of the Light, to quote Jung, Christ is only a symbol for “one side of the Self [the light] and the devil the other [the dark] [emphasis added]. Seen as dream characters, symbols representing aspects of ourselves, in the figures of Christ and Satan the opposites had become completely severed and dissociated from each other. To quote Jung, “the Christ-symbol lacks wholeness in the modern psychological sense, since it does not include the dark side of things but specifically excludes it in the form of a Luciferian opponent…from the psychological angle he corresponds to only one half of the archetype.” Psychologically speaking, Jung continues, “…the Christian image of the self – Christ – lacks the shadow that properly belongs to it.”
When we view the history of the world as the progressive differentiation of the Self, which is to say the incarnation of the deity, we begin to notice that the Self responds to a one-sided image of itself by gradually expressing and giving rise to the part of its totality that is left out and marginalized, just as in dreams the unconscious compensates a one-sided image to a dreamer.
This process can be clearly seen in the minds of the alchemists, who after the Christ event discovered a new God-image within their own psyche. The God-image of the alchemists was a further differentiation over time as well as a revelation in time of the archetype of the Self, which exists outside of time. In their God-image, which they called “Mercurius,” the energy that had animated the Christ event had further extrapolated itself in the imagination of the alchemists by taking into itself its darker half. Jung said, “…alchemy is rather like an undercurrent to the Christianity that ruled on the surface. It is to this surface as the dream is to consciousness, and just as the dream compensates the conflicts of the conscious mind, so alchemy endeavors to fill in the gaps left open by the Christian tension of opposites.”
The wisest of the alchemists knew that what they were witnessing in their retorts was nothing other than a projection, or reflection of the deepest ground of the archetypal, transpersonal psyche. They experienced Mercurius, like the unconscious, as an autonomous spirit very unlike the purely light figure of Christ. Mercurius was ambiguous, paradoxical, and dark, not to mention utterly pagan. Jung said, Mercurius "represents a part of the psyche which was certainly not molded by Christianity and can on no account be expressed by the symbol ‘Christ’…It represents all those things which have been eliminated from the Christian model."
An evasive trickster, Mercurius was a shape-shifter who was considered two-faced and duplicitous. He was related to Hermes - the God of Revelation, the Germanic Wotan, the Egyptian Thoth, and the maleficent Saturn. Saturn is the dwelling place of the devil himself, and to quote Jung, "If Mercurius is not exactly the Evil One himself, he at least contains him." Jung continues, "Mercurius truly consists of the most extreme opposites; on the one hand he is undoubtedly akin to the godhead, on the other he is found in sewers." To again quote Jung "It seems, however, that the alchemists did not understand hell, or its fire, as absolutely outside of God or opposed to him, but rather as an internal component of the deity, which must indeed be so if God is held to be a coincidentia oppositorum." As an image of the Self, Mercurius was a revelation of the Self as a co-incidence of opposites, consisting of and uniting the most extreme opposites within itself. Jung continues, “The concept of an all-encompassing God must necessarily include his opposite…The principle of the coincidence of opposites must therefore be completed by that of absolute opposition in order to attain full paradoxicality and hence psychological validity.”
When the figures of Christ and Mercurius are recognized to be symbolic expressions of two different aspects of the Self, to quote Jung, “Christ appears as the archetype of consciousness and Mercurius as the archetype of the unconscious.” Seen together, the figures of Christ and Mercurius re-present the Self in its totality, in its light and dark aspects, of consciousness and its inseparability from the unconscious. To quote Jung, “The paradoxical nature of Mercurius reflects an important aspect of the Self – in fact, namely, that it is essentially a complexio oppositorum, [a union of opposites] and indeed can be nothing else if it is to represent any kind of totality.”
When viewed relative to and as relatives of each other, the revelation of Christ and the alchemist’s revelation of Mercurius are different symbolic representations of the very same emerging Self. Just like consciousness and the unconscious, the figures of Christ and Mercurius collaboratively illumine each other as complementary and compensatory aspects of a greater whole. To quote Jung, “In reality every intensified differentiation of the Christ-image brings about a corresponding accentuation of its unconscious complement.” In the fully revealed Incarnation of Christ, the Word became flesh such that it precipitated its symbolic complement in the figure of Mercurius, a genuine praising of the logos.
To quote Jung, “Hesitantly, as in a dream, the introspective brooding of the centuries gradually put together the figure of Mercurius and created a symbol which, according to all the psychological rules, stands in a compensatory relation to Christ. It is not meant to take his place, nor is it identical with him, for then indeed it could replace him. It owes it existence to the law of compensation.” Mercurius, Jung concludes, presents “a subtle compensatory counterpoint to the Christ image.” Seen as a symbol in a dream, in the figure of Mercurius the unconscious is compensating its one-sided image of itself in its own evolving self-revelation.
A divine messenger, Mercurius is itself the message, as the medium is truly the message. Though appearing to be a trouble-maker, Mercurius, like Christ, was considered to be a peacemaker, a savior, a guide through the underworld, a server of humanity, the mediator between the warring elements of the psyche, as well as the producer of unity. Mercurius is the figure who acts out the marginalized role, presides over the borderline, the places of transition, and the cross-roads.
Though not existing objectively, separate from the creative imagination of the alchemists, it is a mistake to write off Mercurius as merely a figment of the alchemical imagination. Through the figure of Mercurius, the alchemists had discovered what Jung calls the “reality of the psyche.” By saying the psyche is “real,” Jung is pointing out that the psyche in-forms our experience of ourselves and the universe in the most fundamental of ways. It is through the medium of the psyche that we give shape to both ourselves and the world around us. When we recognize the reality of the psyche is when we begin to enter the dimension of experience where our imagination and our experience of ourselves intersect, interpenetrate, and mutually influence each other in a conscious and consciousness-generating way.
The figure of Mercurius is a living example of the God-image making itself known by revealing itself through the image-making psyche. As Jung reminds us, “Psyche is image.” The figures of Christ and Mercurius are different iterations of the same deeper, universal Self imaginatively and fractally unfolding itself within the dimension of the human psyche. A further component of the resurrected body, Mercurius is an elaboration over time of the birth of the Self, an Incarnation which is happening within the creative imagination of humanity. The human psyche is the organ through which we imagine God while God simultaneously imagines Itself into incarnation, in our psyche as well as the world, through our imagination. To quote Jung, “The human psyche and the psychic background are boundlessly underestimated, as though God spoke to man exclusively through the radio, the newspapers, or through sermons. God has never spoken to man except in and through the psyche, and the psyche understands it and we experience it as something psychic.” Just as the eye is the instrument through which we behold the image of the sun, the psyche is the organ through which we behold the image of God.
The paradoxical figure of Mercurius is not only a symbolic expression of a process going on deep inside the human psyche but within the divine imagination as well. The divine imagination is the creative organ of perception animating the human psyche through which the formless archetypal dimension is accessed and translated into comprehensible images. The God-image is a unique phenomenon in that it is the intersection point through which the human and divine imaginations reciprocally in-form and collaboratively engage with each other as if wedded in an intimate relationship.
The God-image is an expression of the unconscious of humanity, while simultaneously being God’s disclosure of Itself to Itself through us. This is similar to how our dreams at night reflect back to us our unconscious, while at the same time they bring consciousness to the very unconsciousness of which they are an expression. Like with our dreams, how the figure of Mercurius manifests, whether as a helper or as a diabolical seducer leading us astray, depends upon if we recognize what he is revealing to us.
The God-image is realizing and revealing itself in the collective unconscious of humanity, which is to say “incarnating,” and we are, whether we know it or not, active participants in and vessels for its transformation. This is a big discovery, genuinely worthy of our deepest attention. Realizing that the God-image is transforming itself is to be contributing to the transformation of the God-image. The degree to which we comprehend this process is the degree to which we become active participants contributing to the very process we are simultaneously comprehending. To quote Jung, “But if consciousness participates with some measure of understanding, then the process is accompanied by all the emotions of a religious experience or revelation.” A true conjunction of opposites, the Self is making itself known in the unconscious of humanity and is inviting us to share and partake in its wholesome, whole-making, and holy nature.
Integrating within ourselves an expanded image of God can only be achieved at the moment when we ourselves change in relation to our new imagination. To enlarge our conception of God is to ourselves grow and become greater in volume, as the limits of who we imagine we are and what we imagine we are capable of expands simultaneously to greater heights and more abysmal depths. Seen in its progression since ancient times, the God-image was mediated in the Old Testament through the law, in the New Testament it was dependent on faith, and in the new psychological dispensation of our time the God-image is centered in and mediated by direct experience.
In the symbolic figure of Mercurius is a spontaneous God-image that has crystallized into and out of the human psyche which is a manifestation of, as well as a doorway into, an inner experience that unites the opposites. In a radical re-visioning of itself, in the figure of Mercurius the unconscious has offered us an image of God which includes and embraces evil as an integral aspect of our wholeness.
The God-image is like a dream that we are dreaming that is simultaneously dreaming us. To recognize what the unconscious is revealing to us through our God-image is to step into and discover within ourselves the dark, unconscious, projected, and “dreamed up” content which is being reflected back to us through our imaginings of God. To expand our conception of God so as to include darkness can only be done, and is an instantaneous reflex of, our embracing the darkness within ourselves. Becoming acquainted with our own darkness is a genuine “illumination,” which is why Jung points out that, “…not only darkness is known through light, but that conversely, light is known through darkness.”
To recognize that the figures of Christ and Mercurius are reflections of a deeper process of awakening happening within ourselves “appreciates” them, as well as ourselves. Appreciated as the mirror that they are, these internal figures, as well as ourselves, appreciate, i.e., grow in value.
The figures of Christ and Mercurius, when recognized as co-related symbols of our wholeness, reciprocally activate, awaken, and reveal the wholeness within us. The evolving God-image, our intrinsic wholeness, has crept under our skin and has empowered our creative imagination to materialize itself as our experience of ourselves. In a sacred IN-pulse, something greater than ourselves is incarnating through us as it reveals itself to us. We are truly made in the image of God, while at the same time our image of God makes us.
Image credit: "Angels and Demons" by Gonzalo Fernandez, and "nov 1 07 - 25/365" by erin is a star under Creative Commons license.
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trips me up
Thank you for the article. I've wanted to know more about this aspect of Jung's work. Perhaps you might help me out of a spiritual bind.
Here's something that I can't wrap my head around: you point out that we have to embrace our darkness to become truly whole. You note how Mercurius is essentially a symbol that integrates darkness and light. I don't know how to do that. For the past two years, I've progressed, and I feel that my life is filled with more light. Now, I intellectually appreciate the challenge of also embracing and accepting the darkness, but I can't see how to practically achieve that. To my mind, light is progression, evolution, growth, happiness, etc. When you say embrace the dark, I understand that as a lack of spiritual understanding, regression, insensitivity, emotional apathy, etc.
How can I embrace that aspect of myself and continue to grow? I feel I need to, oddly enough, but it feels like a need to return to bad habits that I've spent years training myself against. I've always understood the darkness to mean those aspects of myself which avoid spiritual growth.
These are only words, and the experience defies exact definitions, but hopefully you get the thrust of my question. I'd really appreciate any guidance on this. You'd be doing good. (Isn't good better than bad/light v. dark? . . . sighs in incomprehension).
Light/Dark
Michael,
I dig. The Dark Me decays, becomes fertilizer for Homo Luminous Me. I embrace the rot, smell the fetid evidence of transformation. [caterpillar dissolves, is raw material for butterfly]
Transformation has its gnarly aspects, radiant Being is rooted in shit. All God. All good. Make sense? OK if no. I'm just another clueless meatmonkey.
PAX
The way I see it
Hey Matejka. The way I see it embracing darkness is to not supress it. Embrace, go through and let go. No need to go back. Darkness is to be transcended not repeated and indulged.
SugarMag
Yeah, embracing the dark...
...means, I suppose, recognising those uncool aspects of ourselves - anger, envy, resentment, lust, vanity etc - rather than repressing them and pretending to be all humble and saintly. By keeping tabs on our inner devil, we keep him in check. If we are blind to him, all sorts of problems may occur.
There's an English phrase "keep a stiff upper lip," which means broadly, don't feel it, ignore it. Jung suggests in contrast that it is important we feel it, and acknowledge it. This was part of DH Lawrence's great campaign against English society: he believed that people were almost paralysed by their repressed emotions, and that they were therefore pretty much incapable of saying or doing anything genuine. So he tried to bring the darkness back to consciousness, bring the devil, or more properly, Pan, back into society.
I could be wrong. Hopefully Paul will chime in.
D H Lawrence
wrote something about a Jesus that upon being resurrected just wanted to be like the rest of us, something like that.Or he wanted to be earthy.
D H was born on sept 11.
Growing
Light and Darkness
Michael's great revealing post, and the 'him him HIM' already!
First let me get this out of the way. The article....All I kept hearing was 'him him he him'.... where SHE,? Where's 'her'?
Please, IF you were a woman reading this how would you feel?
For you are exploring about supposedly all aspects of reality from the superficial to the depthless yet not a 'her' insight!
An alien reading this would imagine this referred to solely a man's world only!
Jung.
Feminists have given crititques about Jung and his 'God image', and his association with 'the unconscious' as being feminine ..Jung's shit is androcentric:
"Feminist Analysis From a feminist perspective, there are a great many problems inherent in the mythopoetic movement and its program of male spirituality. One of these is that Jungian psychology, which underlies so much of the "new men's movement," is androcentric. This might not appear to be a defect since this literature is aimed primarily at men. But men who claim to be feminists ought to be very suspicious of any system which takes males alone as the standard for what is human. And in Jungian theory, the male ego is normative. Rosemary Ruether points out that "either women can imagine that men and women have exactly the same structure of consciousness, their ego also being `masculine,' their unconsciousness `feminine'--in other words, women become persons by becoming male identified and regarding the `feminine' characteristics as secondary and auxiliary--or else the sex-stereotyping of psychic qualities ends by suggesting that women actually should aspire to a different personality and social roles from men, the motherly and sisterly auxiliary roles. Not for them is the hero adventure": (Ruether, New Woman 157-58). Rohr leans toward the first approach--actualized persons are "men," regardless of their biological sex (223-24). Arnold favors the latter, rigid separation of roles (20-21). When men solemnly tell me that they are integrating their feminine side, or learning to love their "inner woman,"[18] it strikes me as the ultimate in male hubris. Why bother with pesky flesh-and-blood women when they can be infatuated with a concept of the feminine in themselves? Kathleen Carlin says, "When a man espouses this view, I hear this: I think I can actually override my devaluing of women sufficiently to appropriate those `feminine' qualities that will make me a more complete person. I hear this as an attempt to appropriate some exotic artifact that will enhance, enlarge upon his image of himself--and, as a woman, I begin to feel like the witch doctor's mask hanging on his wall."[19] http://www.users.csbsju.edu/~eknuth/xpxx/malespir.html Michael, I completely LOVE your post. I don't mean this in a patronizing way, but I love its honesty, because usually people who feel like that about the 'dark' won't admit it even to themselves, and refuse to question what thinking they may be stuck in or not. Just wont question
Usually they will proclaim that 'darkness is the absence of light' as though this is saying something....? But, in the words of Alan Watts, 'how would you even know what is light without darkness and vice versa' or words to that effect.
Seriously.
You really have to give time to think about this. It sounds 'easy' but it needs respect of thinking and feeling this question!
You cannot!
We need both. Light and dark are continuum. If the planet was in the light all the time it would die. It needs the soothing dark also. The interplay, the dance of light and dark.
We need the soothing dark to sleep. To eventually enter a state of being that is so 'dark' that it is pre-colour if that word exists I dont know.
Watts, again, would describe this as what the head behind the visions of the eyes 'looks' like. Your seeing out of it, but it is invisible. Likewise you will become aware out of delta sleep. Out of death....Out of darkness...
Jung Adam
Interesting points about Jung's apparent androcentrism, zezt. I'm guilty of assuming general similarity of male and female consciousness - but I'm not so sure since my brush with the french feminism of Kristeva and Cissoux. Do you think that Jung might yet have some insight to offer to women? What about to genders other than masculine and feminine - might they exist?
Our society often envisages early paleolithic humanity as a masculine, tool using culture child emerging from the green womb of wild nature. (Perhaps thats why we love the mediocre Rimbaud?) I wonder why this child is imagined to be masculine? Perhaps all those early myths of the Goddess and her son/lover might be creatively reinterpreted/reframed for our time?
I've no answers yet - I'm glad you raised these stimulating questions.
so in your opinion Rimbaud is
mediocre?
well i wonder who you have been reading?
or did you arrive at the conclusion on your very own?
it's oh i don't know, rather silly to say a great poet is mediocre, if you ask me.
but every body is a critique, and that proves something.because you know if you don't put Rimbaud down you look, oh, you know, low brow.And then what would that mediocre T.S. Elliot say? pip pip!
i guess that make Henry Miller a bad influence, hehe.
and all that rot.
Alexander Pope the last of the great poets of reason, would tare Rimbaud a new rip in his ragged coat, ha ha.
but then Rimbaud was in a class all his own, even if he did become a Mediocre person somewhat on the other side of his life.
And then there is the Dandy Baudelaire, and i won't even mention Maldoror.
Jung sure had a quantum field day....
and Paul Celan had his interview with Hiedegger, but the great philosopher was mum.
Rimbaud
"mediocre" is probably overstating the case, and I do love the poetry - memorised reams of it as a kid to shock my teachers. I just wonder if his stature isn't also overstated. He was an extraordinarily gifted poet, but wasted it....so we could say he failed his poetic calling, and that he understood this, and hence the long years of austerity as a successfull buisnessman in Africa. Where, perhaps, he continued his quest in another form.
In contrast, Blake, similarly talented as a kid, could be said to have achieved the goal of his quest - spectacularly so with Jerusalem.
But this is all a huge can of worms for another day.
Apologies all for going off topic with the line about the often over-rated Rimbaud.
haha
how clever of you, to put that "over-rated" in there at the end, and compare Rimbaud to Blake, like compareing apples to oranges.Or rag tag raggamuffins to the House of Zeppelin, to take the stairway to heaven or to take the stairway to the marrige of heaven and hell, or is it Illuminations in the Season in Hell, oh well.
as if poets, nay artists, are suppose to meet some one size fits all paragon of perfection.As if there is some school of perfect poets, really.
and see the "high brow" wink to some already formed views, that are making an effort to even put a Rimbaud next to a Blake as if it is all a contest to win and impress some professor or other cadre of intelligencia, like on "RealitySandwich?" we must appalingly apologise to as if the topic of this blog cannot bare the side resonances that the topic represents.
Please spare me!
open a can of worms, damn right! why not? this is about making those kinds of tramps into the underground into the realm of history's dumped images on the bottom rung of Dante's vision.All bets are off, the dial spins here, watch the images of birds and flowers, and symbols of past, present, future go around like the tea cup in Alice in the Lookinglass, its all topsy tervy, can we find the zero-point centre?
well let me see if that French Rimbaud fell off the radar screen of who's who in the world of "terrible workers" or " paragons of perfect poets" is it poets that are discussed(disgusting) in the drawing rooms of shangrila la land?
"oh, really that dirty little boy Rimbaud, tisk tisk, he was a wild one, for his 15 minutes, and now, to bad, he is not going to ruffle and professor's feathers feathers now."..sniff..sniff"
"a shame really don't you think Rupert? ..."more Earl Gray?".."Mortimer?"
"and now a real English poet we can all be proud of, yes.And we can mount his head(portrait) in the drawing room.Nothing over-rated there!"
jolly good!
the meditation teacher had been a wealthy English man, when i was at his community called the University of the Trees, said to me that he had seen the Spirit of Wordsworth, that he Wordsworth had told him to make a "psychic research society" something like that, and he did do that, and he spent some years in India, and in Jamaica, he wrote some books on meditation and his research, ect.
In England there was more acceptance of Homopathic medicine and Radionics.So we can see this also extended in Poets like Wordsworth, and likewise Coleridge and Blake, in that their thinking seems like a kind of written Homoeopathy, with Radionic overtones.Think of the "Golden Compass"
so for instance an empty box with some dial to turn the consciousness in to different levels up into the etheric.
We can see this happen in the poems of Blake or Wordsworth, or Shelly, Keats.We can see many levels of insight that on a dial could be turned to resonate with various layers of higher and higher thought.
Rimbaud that firebrand upstart on the other hand was a weathervane that pointed in all directions like it was in the middle of a maelstrom, he danced in the torrents and pulled his magnetic images from the heart of the wild flower whirlwind.In the aftermath of his quick times, he had to go off and lose himself in Africa, with a black woman.
And now for something completley different, like Time Bandits. Or Life of Brian, whistle a little tune.
CJ
admitedly
darkness
In regards to your questions Michael, I think it's important to recognize that darkness ultimately for Jung can be seen as "the dark waters of the unconscious" - those hidden and often inaccessible parts of our mind.
By overcoming and progressing in your own life, you've clearly had to go through your own dark processes and patterns to arrive at the comfortable place you appear to be in now... while there is likely always more darkness "to conquer" for each of us on our paths, it is not necessary to return to any bad habits but rather to turn to understanding and going through the darkness in order to create stronger new good habits.
Trust your intuition. Don't try to force bad habits back upon yourself because you feel have to embrace more darkness.
All bridges can be rebuilt.
Yes
when performing the Gnostic chant
" Oh Nuit continuous one of Heaven, let it ever be thus, that men speak not of thee as one,but as none, and let then not speak of thee at all since thou art continuous". these words are spoken, as part of the ritual, i would add here, that we spoke of her all the time, but also knowing that when speaking of the Goddess, we are on another wavelenght, it would be like the high note that floats above the base note.When i was in a chanting group, this high floating note that appears riding above the sustained note was called the nadam(vibrational sound that pervades all things, it manifests as sound, the absloute sound" or "supersensonic" sound current. when vibrating the names of healing, invoke gnosis, the polarities of sound vibration create a wave above the voice and or musical intrument this is akin to sound alchemy, looking for that golden note that exists above and within everything. you can speak about her, but when you sing her, she comes alive.It sounds like angels riding a thunder bolt, or like a super train of harmonic revery passing over the other tones.
Psyche, sings her song in the green lamp lit in the retort as the athanor keeps the elements at a steady moving excitation, she sings her song in the passage between the two crossing alleys, where the cloaked therapeutes' trade symbolic secrets of flowering essence of the sounds fill the rare aire in that quarter, a strange snaking tongue is spoken, broken bits of ancient light fill the words that pass quickly between the three gathered in his(her)name,
salt plus saturn leaf transcribe fallen ones x repeat shape shift cat like to ten affimation winged lunar black night scents ferment seed of mirror gyp rings vibrate-spoke meow IAO SABAO abrasax abrasax abrasaz backward motion sin rotate channel pass arrow of conqueror root high john met broken vessel add blue ash of mercury trade accent spice on last constant slow the sylable make sign of root smoking doorway...repeat...add cheap wine and wild flowers picked on the nu moon when the cycle is in dogstar make hands dance on strings click the nuance on the verb worshiping the noun before the rose petal is gone.
the cloaked figures fade into the surroundings, and some lingering flute riff floates snaking down the narrow walkway like a whisper from her lips.
good-evil
able to be or not
transcend is a word i rarely use."without thinkin"
transform, has nine letters too.good-evil has 8 with a hyphen.
we can recall moments when transcend transforms.
but to put it into words, requires all the genders and roots and possible meanings and lost meanings, and all shades and shadows that flow through the letters.
behavior is a another word i almost never use.
though if truth be told i watch the way by which words behave.I sometimes whip them into a frenzy, or ask them to cool it.
Another great one
Jesus' shadow
I think that Christ himself is overly identified with the good by many. I put this down to our natural tendency to think in dualities. However, if you read his teachings then he has a lot to say about shadow work and the acceptance of the dark side of our psyche. He repeatedly encourages us to see our own sin and to accept the sin in others. He does the same with the rejected people of his society. He speaks against those that claim to be completely free of sin. So to say that he cast off his shadow is a misreading of the gospels by my understanding.
You say that Jung says that “The concept of an all-encompassing God must necessarily include his opposite. The principle of the coincidence of opposites must therefore be completed by that of absolute opposition in order to attain full paradoxicality and hence psychological validity.” It seams to me that Jesus achieves this through being both man and God. Sinner and saint. Satan is the shadow of the old testament God and through Jesus we achieve integration.
I don't understand the idea of Mercurius arising as a counterpoint to christ when alchemy and Mercurius predate Christ. It is likely even that Jesus was familiar with alchemy. His family spent time in Egypt when they fled from herod and his teachings point towards somebody who had completed the alchemical process. I suggest that it was this process that created the state of mind necessary to step into the archetypal process that he did.
How is the medium the message? Jung is right Mercurius is completeley ambiguous and as such has no message. It'd be like watching the static on a tv screen. It is through Mercurius that the Godhead is revealed but I don't see how he can be elevated to the Godhead himself. I'd say if any thing Mercurius is more similar to the Tao.
I don't take the bible literaly I'm just fed up with people ignoring it's sophistication.
that was pretty sophisticated of you
Embracing Dark
I am exploring this theme through my art right now, as I completed a painting about the goddess Boann, which was based on Celtic mythology. The painting focused on aspects of transformation that are required for one to gain wisdom. There are very dark aspects to the myth, as the goddess is maimed and eventually drowned, in her attempt to peer into a magic well containing wisdom. And while the events are dark, the overall result is something positive. It is because of her sacrifice that the salmon of wisdom is released to the world of humans.
This painting made me think about how much contemporary society tries to break things up into black and white, good and bad, positive and negative, etc. I wonder, if we looked at these things more as part of a whole system rather than a dichotomy, perhaps we would have less problems than we do now. Of course this is oversimplifying a bit, but I still suspect there would be benefits.
I am now researching a painting based on the mythology of the Morrigan, a very dark goddess connected to sovereignity of the land and of war and fertility. I think, by delving deeper and exploring these darker aspects, I will gain a better understanding of myself and how I relate to the world. And, in turn, I hope the painting will help others to not fear the dark parts of themselves.
It is as, some other posts suggested, that the only way we can progress is to acknowledge these dark aspects and move through it. I think a lot of us have a tendency to push it away or ignore it, and such things never just go away on their own. In fact, usually more problems develop as a result.
I am looking forward to seeing how the dialogue progresses here, as I believe there is the potential for some very powerful and transformative ideas yet to be revealed.
Thanks!
DoAn
Interstitial Artist
www.doanart.blogspot.com
i think Morrigan
is part of my bloodline, oh or was that holy blood holy grail. oh its so hard to tell these days, anyway i guess Jung was the one that said something about making friends with the shadow.
i don't remember him sayimg the shadow had any particular sex.
i think it was Nietzsche that said that art was the way, something about holding up a mirror.
and the Goddess is the best place to begin to see the dark in the light, and the light in the dark.As far as healing the cracks in the shattered mirror.
oh, and i think there is a real art to embracing dark.
the German poet Paul Celan said:
" language must be set free from the history"
"I want my very being toward language"
language
nice thought
Tools
cjmoore,
the more I read of your posts, the more sense you make.
Language is a tool like almost every other manifested aspect of universal life. It can be used well or misused.
I often think, that some people write or talk for the almost solipsistic pleasure of it. Others communicate from and around a factual content.
Role models
I tried reading this article , but the repeated references to Christ rendered it worthless . . .
Seems there is some serious difficulty in this white middle class scene in doing away with the cultural brainwashing.
I wish I could write it in gigantic letters up in the sky:
The "Christ event" is a fabrication deliberately devised to manipulate humanity's consciousness on a mass scale and establish a global dominion, and prison.
Anyone who doesn't have the guts and the brains to grasp this , isn't worth reading, personally speaking.
Which is why i have been ignoring several recent RS articles going on about good ol' Jesus with the conviction of born-again christians. A guy even believes he met him personally!
I'd say take it easy on that ayahuasca folks, and understand how deep your own conditioning and class consciousness runs. Everything you know is wrong.
My family, culture and country has suffered greatly as a result of "the Christ event", so I take offense, in the same way that many Jews take offense at the very mention of the idea that Hitler perhaps didn't kill all those Jews.
It is a revisionism that I find most objectionable.
(darn, Hitler mentioned in thread, I lose!)
While I understand your association
with Christ and many negative things. I wonder if you see that other people can view the Christ figure as a mythology similar to the Greek, Celtic, or other Gods of cultural traditions. I tend to see that there is difference between the religion of Christianity and the mythic teachings of the Christ. All religions to some degree become problematic, because humans invest too much power and control within them. I am not Christian, but I can see the stories in many other traditions, so for me, I can replace the Christ with Apollo or Lugh or Mabon, etc.<br>
I don't need to get the religion mixed up in the message. Perhaps that will help you?
DoAn
Interstitial Artist
www.doanart.blogspot.com
The Return of the Light Dark Mother
I have mentioned this great book at other threads, but feel it most appropriate to here especially.
Here's full title, and you MUST order. That's an order ;):
Return of the Dark/Light Mother, or New Age Armegeddon?, by Monica Sjoo ~~:
" Monica's questioning of the new age movement, from the early teachings of Madame Blavatsky, Annie Besant and Alice Bailey, to Findhorn (yes, Findhorn!), to the Rebirthers and Babaji, to current channelers and others, raises important questions regarding just what is going on. She points out that they are obsessed with the light while disparaging the dark. (Sound familiar? See my article, "The Luminous Dark Mother", in the fall issue of AWe ) The ever tedious dualistic notion that light is good, white, male, sun and God-like , while dark is bad, earth, female and lunar, is painfully alive and well in New Age thinking. She asks why any so-called New Age healing modality would be sexist and racist. Good question! Monica is the kind of crone-woman who inspires the crone in others - the crone who sees and questions, and doesn't care what others think of her, is sharp and wise and doesn't accept what is said just because it might be from an extra-terrestrial. She follows her heart in deep questioning and stays with her own sacred authority as she most certainly goes against the grain. She sees the awakening of the Goddess as the answer to the transformation of patriarchy, and she would like to see this transformation take place as soon as possible. So would I. Blessed Be. Order Monica Sjoo's new book, Return of the Dark Mother, from Powell's Bookstore." http://www.awakenedwoman.com/sjoo.htm
& http://www.monicasjoo.org/artic/challengingpatriarch.htm
Crucially, IF one accrues a notion of oneself as full of light, and ever so pure or ...getting there real soon. Then what becomes being ignored--all that aint the phony self images--can get very stagnant, and stinky, and extremely extremely dangerous.
So yes, embrace the dance of light and dark and all in betweens
Misc.
Cit ecolocal:
"Which is why i have been ignoring several recent RS articles going on about good ol' Jesus with the conviction of born-again christians. A guy even believes he met him personally!"
I share your thoughts, and have tried not to let these articles go unopposed in my comments. But real communication with the 'saved' seems to be impossible. At best you get interminable biblecitations, at worst they expect you to play the entire game at their rules.
Cit doan: "I don't need to get the religion mixed up in the message. Perhaps that will help you?"
I (we?), who am critical to christianity in both its original form and later church forms, am aware of the differences between its original content and later church-doctrines. And sweeping comparisons of Jesus with other 'divine' messengers doesn't help to make the christian message more acceptable.
Cit zezt:
"the crone who sees and questions, and doesn't care what others think of her, is sharp and wise and doesn't accept what is said just because it might be from an extra-terrestrial."
This sounds like someone, who's willing to examine belief-systems critically. But other parts of it sounds as dogmatic as the new-age marmalade, she wants to distance herself from. It doesn't bring anyone closer to truth, if one belief-system is just swapped for another.
crumpits
with that marmalade? its funny but the word marma is an east indiam word that means certain important points in the body, like the main nadas.
this discussion is looking for those points, those "marmas."
dogmatists dont ask questions
.....that's the point. I mean where were you years ago when Sjoo almost singlehandedly challenged the insidious might of the 'New Age'?
What exactly are you putting foreward anyway?
it is very easy to just lash out at people as being dogmatic.
where are YOU at?
There, I have asked a question ;)
I challenge you to put yourself on the line and share with us what you believe. your myth. Your vision.
No grudges, zezt
actually I respect your request for clarification on my part.
Cit: "....where were you years ago when Sjoo almost singlehandedly challenged the insidious might of the 'New Age'?"
I take this as a question of my position on 'new age'. I was one of the original 'sixties people' in my part of the world, and when I saw the degradation of the original experiments over the next ten year period, I reacted very critically to it. Occasionally by going out publicly in a small scale. I was never a 'big name' in public, as I then prefered to demonstrate my points at a practical level.
"....where are YOU at?"
I feel, that if anyone writes articles etc. it can have two purposes. Either it's missionary one-way preaching, OR it's meant for communication and debate. If it's the last, there must be a common ground for communication, a startingpoint which the implied persons can agree on. Otherwise it'll just be a lot of people yelling dogmas at each other.
STARTING with serving ultimate 'answers' like christian dogmas, subconsciousness like a proven fact, the need of mother goddesses, non-dualism etc makes communication difficult.
I would rather find functional startingpoints and methods. Generally speaking epistemology and methodology.
Starting and going part of the way together makes it easier to respect and accept final differences in the outcoming answers.
Personally I'm more than willing to revise some of my own opinions, if I'm exposed to good arguments in a two-way communication.
But having a holy book or a socalled 'authority' thrown at me as 'proof' is what I protest against.
I have tried to answer your questions, as well as I can. Should there be uncertainties I apologise and try again.
Witchcraft
Zezt - who says darkness is earth, female and lunar? Surely this must be an opinion shared by the few as darkness to me is everything that is destructive in oneself and others. Unless, of course, you are talking about witchcraft and sorcery which to me has nothing to do with darkness. Rather a childish and infantile game played by insecure, bitter man haters. And what do you mean by Monica not accepting what is said just because it might be from an extra-terrestrial? Is this to mean that the extra-terrestrials are all the people in power? Or even all the people in power controlled by aliens? Or is it just an analogy for greed in our world? Or simply a way of saying that she doesn’t listen to anyone but herself? Please clarify this for me as I see it as very important for further discussion. Confusing the whole embracing the darkness with black magic mumbo jumbo is nothing but a rebellion towards everything conventional (like a teenager rebelling against his parents) ….and why not spice it all up with a little alien talk…And it all surfaces and becomes, you guessed it, DOGMA!!
SugarMagJust to clarify
Reality
Cit:
"But let´s keep the unreal real you know..."
True. But there are so many 'realities' in circulation, that it can be confusing at times.
Darkness
What did Monica Sjoo mean about even questioning an 'extraterrestrial'...? LOL, it means that she would question so-called 'channelers' who claimed to be channeling an ET entity.
As well as those professing to be channeling 'Masters', whatever.....
Not that she discounted the possibility of authentic channeling, which is very ancient. But that she would challenge what was claimed to being channeled.
If it was racist, misogynist, against Nature, etc. That she questions.
How to chill you out about darkness.
Do you sleep with the light on? ;)
I mean you must see some value in darkness.
OK, you associate darkness with evil. Does all evil happen in darkness? Or does it also happen in daylight too? Do all evil people look 'dark' or do some put on airs and graces, so much so you dont realize how destructive they are? Can you not understand that if you turn your face away from your darkness, your unknown, your unconscious, that you suppress your whole being?
Same same
Sure. There are infinite realities but there is an objective reality that binds us all together. For any other of these realities to bear any useful meaning they should in some tangible way at least touch the very edges of the unified objective one.
Zest – my bad. No alien theory here. I jumped to conclusions. Sorry. Nevertheless, please define the darkness you are referring to as I would like to bring it in to our unified objective reality. I still don’t see why the Female Gaian aspect is Darkness. It is merely the Masculine Ego turned inside out. That’s it. Men tend to think that they are the creators of the universe through their own manifesting powers as women see themselves as part of the whole (generally speaking). Two sides of the same coin.
SugarMag
well i met a lot of darkness
and so i was drawn to the light, but in my study of the things that were called dark and the things called in the light, i saw a huge dark and a huge light.Now it was no longer a matter of angels or devils or words used to say this is and that is that.Now it was like a great opening to some yet unknown.All the rest was some baggage that we carry behind us like in the Dali movie Un Chien Andalu.And speaking of Dali, he came up with a theory called Critical Paranoia, that was described as self induced psychosis, i will not launch into a history of its use or Breton's hailing of it and also his own critique,but i will say that it opens up infinite possibility, it begins as a child's game of looking at clouds and seeing different things in the cloud shapes.If you take this to its far extension and apply it to everything you read, including channeled information and all the serious writings of social figures that pretend to some knowledge about the "real world" and or all the so-called new age light people to the followers of some Cthulhu cult it all becomes quite overwhelming, where is religion in the middle of the static that we are bombarded with by corporate- scientists and leering faces in the media, oh they are on the side of good, and if you don't agree you are dark. after this the absurd nature of reality becomes so huge that these huge concepts of light and dark just become one big blur of noise made by machines and talking heads.
As far as transformation of the God image, i remember sitting in the SC University library reading Jung like my consciousness depended on it.And maybe it did.Jung played a key roll in expanding on Freud, but they both have their cultural signifiers, and this too is part of the baggage, perhaps it's the others that were there and also were part of these experiments in unconscious collective memory.The ones that did their parts in the great unfolding of theory and transcendence, in transformation of the Image-God that cannot be made into a mask of tyrants.
Satan an angel?
'Now it was no longer a matter of angels or devils or words used to say this is and that is that.'
Apparently 'Satan is a term that originates from the, Abrahamic faiths, being traditionally applied to an 'angel' in Judeo-Christian belief, and to a 'jinn' in Islamic belief.'
'While Hebrew ha-Satan is "the accuser" and Satan itself means "to overcome" — the one who challenged the religious faith ..'
http://en.wikipedia.org/wiki/Satan
and also the adversary principle
defining darkness...?
"Nevertheless, please define the darkness you are referring to as I would like to bring it in to our unified objective reality. I still don’t see why the Female Gaian aspect is Darkness. It is merely the Masculine Ego turned inside out. That’s it. Men tend to think that they are the creators of the universe through their own manifesting powers as women see themselves as part of the whole (generally speaking). Two sides of the same coin. SugarMag "
Do you agree that you cant have dark without light and vice versa?
what you would make the female image
into all light, and the male into all dark?
and dump all that mythology, all that pagan symbology, all that christian guilt?
but i don't think anybody said that "Gaia" was now the one and all image to make some comparison to, we have seen this Sophia made into a transformed Gaia, but that is still not fleshed out all the way.
wisdom is the word that we seem to be still unclear about.
then the dark aspects will become more crystalline.
then we can go back to the garden of eden, and see where it began to go dark, in the sense that the dark really is understood as good and evil, and not beyond that.
all the ruptured wombs.
Nough said
embracing our darkness
Paul Levy
Don't take this as a strong criticism. It's not intended so.
But I do feel, that the present discussion looks a bit like former times medicine, where the symptoms were sometimes the main object of interest in illness, and the symptom removal was seen as a cure.
The same way with 'inner darkness'. If the 'spiritual patient' starts on a real cure, by achieving enlightenment, realisation (or whatever it's called), inner darkness goes away. So the only function darkness can have is to make a diagnosis.
Don´t complicate
Been there, done that
Cit Sugar M: "On the other hand imagining a great big eternal nothingness is equally hard (or harder...) to comprehend!"
Too late. I've already been there in the great big eternal nothingness, and it definitely beats even motorcycle-driving.
Besides the bad name of 'nothingness' isn't quite correct. It's more like stillness.
It's ofcourse a personal choice if anyone wants to go there or not. And how.