Our Family Tree: Learning Balance from the Heart of the World

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For our people, Cerro Gonavindua is the center of the universe and the mountain’s health controls the health of the entire planet. Our entire social organization and spiritual and cultural foundation are based on sacred practices carried out throughout these traditional lands. We believe that the Sierra Nevada is the “Heart of the World.”

 

The ancient Kogi, Arhuaco, Kankuamo and Wiwa of the Sierra Nevada de Santa Marta in Colombia know themselves as the Elder Brothers, dismissing the rest of humanity as new-comers, as the Younger Brother who chooses to neglect and destroy the balance of the world. With their prayers and spiritual practice, the Elder Brothers work to maintain the cosmic balance.

They are a people who exemplify a wholly profound relationship to nature and to the Earth. Wade Davis describes that for the Mamas, the priests and shaman of the Sierra Nevada, "A hill can also be a house, the mountains a model of the cosmos. The white hats worn by Arhuaco men also symbolize the snowfields of the sacred peaks. The hairs on a person's body echo the forest trees that cover the mountain flanks. Every element of nature is imbued with higher significance, so that even the most modest of creatures can be seen as a teacher, and every feature of the world mirrors the whole."

For Kogi priests, time is to be manipulated, detached from or forgotten entirely. The Mamas “reach beyond this sphere, and attempt to manipulate a cosmic machinery of surprising dimensions.” In The Sacred Mountain of Colombia's Kogi Indianthe anthropologist Gerardo Reichel-Dolmatoff describes Kogi cosmology; “Traditional Kogi religion is closely related to Kogi ideas about the structure and functioning of the Universe, and Kogi cosmology is ... a model for survival in that it moulds individual behaviour into a plan of actions or avoidances that are oriented toward the maintenance of a viable equilibrium between Man's demands and Nature's resources. In this manner the individual and society at large must both carry the burden of great responsibilities which, in the Kogi view, extend not only to their society but to the whole of mankind.”

Initiate Mamas, who begin training as young as two or three years, cast off their circadian rhythms; rising at sunset and going to sleep at dawn, leading nocturnal lives while learning ways to manipulate time and light and darkness across two periods of nine years.

Reichel-Dolmatoff explains “The knowledge and interpretation of circadian rhythms is used by the mámas in their attempt to deflect young children from biologically-based activity patterns, in order to create in them another, culturally-defined, perception of the relativity of time and space. Time and space are not thought to set inescapable barriers to the human condition, and a true mama must be able to step outside of time.”

Upon return to society, a Mama's role is to “turn back the sun or to drown (the world) with rain”. The Kogi "feel responsible for the moral conduct of all men ... there is great interest in foreign cultures ... The training of novices is, therefore, a necessity not only for Kogi society, but also for the maintenance of the wider moral order...The education of a máma is, essentially, a model for the education of all men (who) should follow a máma's example of frugality, moderation, and simple goodness.”

In 1974, Reichel-Dolmatoff noticed the emergence of younger priests “who do not conform to the basis established by tradition, but who glimpse new horizons and new dimensions in which human destiny might fulfill itself.”

After founding the Gonavindua Tairona Indigenous Organization of the Mamas in 1987 in order to defend and promote indigenous culture, traditions, independence and autonomy, the Mamas began to emerge from a policy of complete isolation to further their message and invocations of balance.

By 1988, responding to a request by BBC film director Alan Ereira, fieldwork and production began on a documentary with the Kogi, who maintained a high degree of creative intent and control of the project. Shortly afterwards (two years before 1700 of the world's leading scientists released the document known as World Scientists' Warning to Humanity) the release of the film “From the Heart of the World - the Elder Brothers' Warning” carried a message from a Kogi Mama: “Up to now we have ignored the Younger Brother. We have not deigned even to give him a slap. But now we can no longer look after the world alone. The Younger Brother is doing too much damage. He must see, and understand, and assume responsibility. Now we will have to work together. Otherwise, the world will die."

This project led to the establishment of a small British-based NGO, Tairona Heritage Trust, which, along with Gonavindua Tairona successfully raised money for the purchase of ancient territories.

Describing the importance of exchange, offering and gratitude in maintaining the balance of all life, David Applebaum relates “That which the Kogi remember, and that we the Younger Brothers have forgotten, are the laws of exchange. Nothing may be responsibly taken from the created universe -- the Mother -- without giving something in return … (engaging) a vital circulation of energy between this and higher worlds. When the circulation is cut off, as it is with our thoughtless appropriation of the planet's resources, the Earth will go down, all life will languish.... The Mamas are aware of the importance of the transformation of energies in the maintenance of cosmic order. Their lives are centered around the act of offering.”

At the beginning of 2008 Wade Davis and National Geographic traveled with the Mamas to the Heart of the World to create a new film. In this video, entitled "The Worldwide Web of Belief and Ritual," from the 2008 TED Conference, Wade Davis relates his experiences making the film with the Elder Brothers, powerfully sharing a message and presenting an offering to the possibilities of unity, integrity and balance.

For further information, and to assist the indigenous people of the Sierra Nevada de Santa Marta, visit Program to Support the Heart of the World.

Comments

From the Heart of the World

If you can find Alan Ereria's book, also titled, in its first publication, "From the Heart of the World", then grab it. It jumped into my lap one day many years ago, and Alan's story of life and ritual in Kogi life is quite astounding and in much greater detail than the film. He relates his daily encounters during the time he was involved. And, according to the book, he did not go to them, rather they reached out to him. The mamas of the Kogi came down from their villages, some of them seeing white people for the first time and asked for Alan. They had heard of his interest in the Taiano and wanted to share their story. They wanted to warn the younger brothers, and were most upset by the grave robbing of the late 80's. As a sculptor and goldsmith, I have always wanted a good explanation for what gold meant to this culture. I have looked and studied for years and at last in Alan's book an answer. A mama stated that gold was the menstrual blood of the earth and it was their duty (the Kogi), to consecrate it, by forming and working it, all the while weaving the fabric, and then place it back in the earth where it would help stabilize Turtle Island (the Americas). The robbers by taking it out of the earth were destabilizing Turtle Island and the mamas needed to tell younger brother quickly. Great book, changed me. Thanks for the article. Jeff

Interesting...

I think I'm going to go grab this insightful book! I watched the video and was very intrigued! I have to know more!

Wow, amazing article,

Wow, amazing article, amazing links and a wonderful video. Great Job, I really enjoyed being introduced to the Kogi civilisation and their ideas and challenges. Thanks.

All the world should know...

MundoPax

These indigenous cultures should be studied in history classes all over the globe. They should be understood and used as an example of how to maintain order and balance with mother earth. They should be celebrated and praised as the oldest, wisest civilizations that live in complete harmony with the universe. We forget that we have only been around for roughly over 200 years and they have been around since the dawn of man. If we teach their lessons to our children, then our children will grow up understanding that our purpose on this planet is to be mother earth's caretaker. This archetype must manifest in the collective before it is too late.

I remember seeing somewhere...

a reference to the Kogi sending one of their shamans on an arduous trek to the ocean to make offerings to the Earth Goddess. Sortof reminds me of Gandhi's salt march only with a lot more at stake and fewer people paying attention. Their method of managing the ecosystem is quite impressive, they don't just let it grow feral, but instead meticulously groom it. Removing vegetation here and relocating it elswhere and so forth. I try to emulate that style in my garden sometimes but I wish I had more of the benefit of their wisdom to guide me.

also interesting

the men do coca and the women don't, There are other tribes where men do various DMT containing concoctions and the women don't. I wonder why this is? There may be a good reason or maybe not, hard to say.

Fragments of an Anarchist Anthropology

The Fragments of an Anarchist Anthropology is a fascinating paper in it's own right;  But I recommend it here because it talks a bit about gender roles in indigenous cultures the world over.

It's been a while since I've read it, but my memory is, "They're all different," with respect to how gender relations work.

coca and gender

In regard to the question of why Kogi/Arhuaco/Wiwa/Kankuamo women don't use coca, here is an answer given by an Arhuaco woman leader:

"The Coca, the Hayo -as it called by the Aruahaca culture- is the only female plant in our culture.  Trees are men and we women are the earth (N.T.: Tierra is also the term for soil) and the trees’ splendor depends on the Earth’s fertility.  The Earth cannot be fertile without the shade given by the trees.  We are all important, all necessary, men and women.  But Coca is the only feminine plant, it is a woman, it is part of our culture.  This is why women do not carry Coca; it is men who carry Coca.  It is our men's companion. It is a symbol of our culture which signifies the male's complementary element. It is a sign of indigenous peoples' identity.  It is a sign of brotherhood among individuals and indigenous peoples. Among us, each man carries the Coca and the poporo (N.T: gourd containing a mixture used to activate the alcaloide) in his mochila (N.T.: cotton knit shoulder bag).  Men greet each other in brotherhood by exchanging a handful of Coca leaves. In many cases it is a medicinal plant with curative properties for certain pathologies, it helps to ease the pain. Finally, it is a sacred plant in our ancestral practices.  Its existence is consecrated from when it is a seed, when it is planted, its productive and the reproductive moments. Its use is governed as of the Law of Origin, as of traditions.  It is regulated throughout the human development cycle.  There is a moment in their development when people, men, can carry Coca, can consume Coca.  This plant is a part of life, of the identity of indigenous peoples."

 

http://tinyurl.com/5a7cwk

 

 

beautiful people

i just wanted to share that i had the amazing opportunity to travel through guatemala with 2 mamas and 1 arhuaco. when these 3 gentlemen walked into the room for the first time, my breath was taken away. i didnt know who they were,but their presence was unbelievable.

the arhuaco was the most skilled at dealing with other cultures. when he would speak, it was so profound, like your wildest fantasies about how wise a human being could be, we would all just cry immediately. he touched the most sacred part of my heart.

the younger mama was having a very difficult time in the modern world. he had never left his village before that trip and he was totally freaked. he could barely speak,and when he did, he was, not surprisingly, completely non linear.

these guys made me believe in humanity in a way i never thought possible. i would describe them as carrying the original vibration of the earth and humanity. they showed me our potential as a race. such generous spirits. it was difficult to leave them.

found the movie

http://video.google.com/videosearch?hl=en&q=The%20Elder%20Brother's%20Wa...

" If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them."

Family ReUnion

 

Thankyou everyone for your comments so far. Jeffery, nitelite, thankyou for your accounts, amazing.

AnOpinMind: wow, great find! many thanks.

and ecolocal: special thanks to you as well.

I'm sensing and experiencing these peoples, their message and work as amazingly profound and connecting. They seem to be reaching out and touching many people and much life at this point in "time".

Astonishing, refreshing, renewing.

 

all the best to you all
many thanks
m

bzztbzztfrssstbrzzzzkack...

mind blown...be back later, I hope...

Gerardo Reichel-Dolmatoff

Alan Ereira and Wade Davis are cool, but don't forget that the original Westerner to spend years with the Kogi and record many of their beliefs and practices for us was anthropologist Gerardo Reichel-Dolmatoff:

 http://en.wikipedia.org/wiki/Gerardo_Reichel-Dolmatoff

Most of what Ereira and Davis have to say comes from the work of this remarkable ethnographer, who may have been the first Western researcher to drink ayahuasca in the Amazon.

To learn about his life, this obituary is an excellent starting place:

Oyuela-Caycedo (1996) Obituary: Gerardo Reichel-Dolmatoff 1912-1994. American Antiquity, Vol. 61, No. 1 (Jan., 1996), pp. 52-56.

It includes a comprehensive bibliography. A few select works (the 1985 2-volume set is a superb anthology) would be:

1953 Contactos y Cambios Culturales en la Sierra Nevada de Santa Marta. Revista Colombiana de Antropologia 1(1):15-122.

1954 A Preliminary Study of Space and Time Perspective in Northern Colombia. American Antiquity 19:352-365.

1971 Amazonian Cosmos; The Sexual and Religious Symbolism of the Tukano Indians. University of Chicago Press, Chicago.

1975 The Shaman and the Jaguar. A Study of Narcotic Drugs among the Indians of Colombia. Temple University Press, Philadelphia.

1982 Astronomical Models of Social Behavior among Some Indians of Colombia. In Ethnoastronomy and Archaeastronomy in the American Tropics, edited by A. F. Aveni and G. Urton, pp. 165-181. Annals of the New York Academy of Science Vol. 385. New York Academy of Science, New York.

1985 Los Kogi: Una Tribu de la Sierra Nevada de Santa Marta, Colombia. Procultura, 2a ed. Bogota.

1987 Shamanism and Art of the Eastern Tukanoan Indians: Colombian Northwest Amazon. E. J. Brill, New York.

1988 Goldwork and Shamanism: An Iconographic Study of the Gold Museum. Compafiia Litografica Nacional S.A., Medellin.

1990 The Sacred Mountain of Colombia's Kogi Indians. Iconography of Religions. Section IX, South America,; fasc. 2, E. J. Brill, New York.

1996 The Forest Within: The World-View of the Tukano Amazonian Indians.  Council Oak Distribution, New York.