The film reveals much about Freud's patriarchal authoritarianism and monomaniacal dogmatism, and Jung's adulteries, violations of professional ethics, and descent into near madness are shown to be inextricable from his visionary realizations.  (more)

Visionary artist Robert Venosa lived in pursuit of beauty and truth, weaving together personal experiences with spirituality, philosophy, and plant shamanism to create vibrant, living works of art. Venosa spent many years studying spiritual wisdom and was well prepared for the inevitable ascent into the astral realms. He transitioned on August 9^th, 2011. (more)

Charles Eisenstein, the author of Sacred Economics, has written a critique of my film THRIVE: What on Earth Will It Take? that has engendered much discussion. I welcome this opportunity to have a broad and public conversation to look more deeply into some very important issues that he and THRIVE raise. (more)

An autonomous, self-managed, unalienated power of seamless creativity exists alongside the old commodified spectacle until such time as it can subsume it within its new means of creation. It is both science fiction and a business plan, a utopian future and an almost exact description of sophisticated spectacular business in the twenty-first century. (more)

If there ever was an Illuminati orchestrating world events, it has lost control. Today, the atmosphere among the financial elite fluctuates between panic and resignation. They cannot be bothered to suppress all the information freely available on the Internet that is accelerating the shift of consciousness away from separation and scarcity. (more)

A changed George Harrison returned to England from India in 1968. Harrison continued to meditate and to chant, but now in an obsessive way. He had become fascinated by Krishna. (more)

A culture based upon an abstract, disconnected conception of space is re-shaping our world for the worse. A parallel reality is replacing the living one. Architects have been commissioned to destroy historic buildings and urban spaces worldwide. Such interventions are praised by their promoters but are disastrous for the urban fabric.  (more)

Jack Kerouac's experiments with mescaline, ayahuasca, and psilocybin mushrooms influenced his 1962 novel Big Sur, just as earlier trials with peyote shaped his trademark  "spontaneous prose" style. So why does the public still think he scorned psychedelics? (more)